| EDITORIAL PROFILE |
|
“Whatever the medium via which audiophiles choose to enjoy their
music – be it two-channel or surround-sound, CD, SACD, DVD-A,
MP3, LP or whatever – you will be able to read about it and how to
get the best from it in Stereophile.” – John Atkinson
|
| MONTHLY COLUMNS |
|
Aural Robert
Music Editor Robert Baird gets vocal with whomever and about whatever he pleases. He tells a good story, and he's got plenty to tell.
|
As We See It
The opening editorial examines current issues of note in the audiophile
community.
|
Analog Corner
Michael Fremer covers the passionate world of LPs and how to get the best from black vinyl discs.
|
Building a Library
Our music experts are happy to introduce readers to the most prolific, though sometimes, most overlooked artists and composers. Past honorees include Sun Ra, Nick Drake, and The Austin Lounge Lizards.
|
The Fifth Element
Record producer and committed audiophile, John Marks, promises to bring together the worlds of high-end audio and music and the worlds of culture and ideas, while celebrating the greatness of the human spirit. His column appears in our January, March, May, July, September, and November issues.
|
Industry Update
Our team keeps you up to date with the latest breaking news in the high-end industry. Nothing gets past our watchful eyes and ever-sensitive ears.
|
Letters
Get into a heated debate with writers, editors, and readers as we discuss all things audio, and many things not so audio.
|
Listening
Art Dudley’s wide-ranging column covers hardware, music, and the state of the industry from the unique perspective he established as the editor of Listener magazine.
|
Manufacturer's Comments
This is where the manufacturers of the equipment we are privileged to review respond to our detailed analyses and measurements.
|
Music in the Round
Kalman Rubinson’s quarterly column on multi-channel music systems is aimed at those who are upgrading their high-quality two-channel rigs.
|
Sam's Space
Audio iconoclast Sam Tellig holds forth on whatever components grab his attention - often those that offer the best performance for the dollar.
|
|
